Monday, June 20, 2011

Waking Life

Disclaimer: The rotoscope angles and constantly shaking/moving frames are bound to impart terrible headaches to few viewers. Such audience are hereby advised to get an eye exam and also ensure adequate sleep.

So the beginning note, Dream is Destiny. Quite true. For most of us, our lives are (mostly partial) manifestation of our dreams. The extent obviously depends on the strength of our belief, amongst other factors. Thereafter, the movie drifts into a random, convoluted loop of switching between dream-dream, dream-reality, reality-dream etc. The central character is the key subject with too many predicate characters that appear in his dreaming and waking life alike.

The discussions are though provoking to the genuinely interested folk. In true honesty, I never belonged there. It was not my cuppa tea. But then love in its purest form, chaturbhuj gulabjamuns, and possibly some integrated delta amounts of genuine interest pulled me back to the lcd to witness what has been aptly termed "Waking Life". The topic under fire is existential evidence of our beings. Do we really exist or is it just a dogmas preserved, enjoyed and passed on to us. Is everything that happens around us real? If so, do we have any said control over it? Do we REALLY have choices? Debit/Credit or Paper/Plastic are outstanding examples presented in context. Such thoughts reflect again in the car-driving-loud-speaker, who pretty much sounds like running for the next GoP nomination, all fired up, mentions how all pools of thoughts have only chained the human thinking and creativity to a certain limit. Agreed. +1. Like.


Progressing with the timeline, the next scene that stood out for me was the discussion shared between two people that the lady in the scene feels like she is an old woman just living the memoirs of her youth. If my grey cells don't fail me, there was this Japanese tele-series aired on Doordarshan some 2 decades ago. It had a similar theme. To me, since then, it has been an inspiration, to live the present to the best. Best that can be passed on to, say the future generations with the flashbacks propelling time-travel. Without drawing a longer tangent, so yes, the lady, who also mentions time lapses, wherein she sees a 12 minute dream with a minute of sleep- which again, has been experienced by yours truly, commonly painted in a horrific theme, minutes before the few very important academic feats. So dreams could very well be our lives - though that wouldn't make up for a very pretty world. And the said study that is supposed to support the notion of "collective memory" - BS. It's a shameful ignorance of the fact that questions are never about seeking the correct replies. It is always about expected replies. And the expectations, once shared, spread out fast. Also, the fact that the NYTimes crossword archives can be browsed using a demi-god-like-search-tool conceived by a money-minting corporate in Mountain View, has been disregarded with utmost carelessness.

Next, the premise of free will is brought up. And a very striking fact that human bodies are mostly constituted of water, is presented. Which breeds a thought that asks- "is that the restless nature of water that the human minds are capable to run multiple streams of thoughts, all at different pace and spatial/temporal/ethical directions and switch between them in sub-second-timeframes? Connecting further in the movie is a scene where a woman is trying to share her picture, taken when she was a baby. And to relate to the audience, some set of common information has to be shared to convey the metamorphosis/photoshop/animation between her past and present. This is collective consciousness - a form of shared knowledge, unique to the human mind. Though the pace at which it picks up, varies per individual.

Several not-so-appealing-nor-memorable sequences later, the central character is found to be in the middle of a discussion. Here, among other things, it is mentioned that dreams are real only as long as they last. Then someone proposes the same concept can be applied to the notion of life. Um, not exactly true for dreams I say. Dreams, I think, hold more energy than life itself. They run the capacity to fuel life, to add meaning/color/direction to life. Or lack thereof. So no, dreams are real for much longer than they last. Or should I submit to a tingling thought that the ones that last forever are the ones that are utmost real? You say!

Moving along, the "confrontation of souls" appealed as an inspiring example. However, residents of the National Capital Region are strongly advised to exercise due caution initiating the process of confrontation. The results might involve a trip or two to a hospital. Say, it could be worse.

Closer to the closing, some remarks are made about the theory that we all existed in the past and the present is all about a dead man's world. Another remark that stuck with me, was about our existence in the instant. This resonates quite well with the theory of parallel universes. Of the fact that there could be infinitesimal numbers of me's, you's and the world's - all existing with the lifespan of an instant. And once that instant is over, it's only the reminiscence that continues to live - not the matter. This is a hazy presentation of my crazy albeit infectious comprehension of Modern Physics. The cat being the source of my wisdom, I shamelessly avoided sharing such thoughts with physics teachers of the time. Reading, comprehension and late-night bakar-bakar's have always ruled and ridiculed the core understanding of Modern Physics. Where the world of physics and philosophy converge, its best to let the air flow freely outside the confines of academic-statuette-motivations.

So all said-n-done, or better, seen and typed, Waking Life is a decent attempt to present the question or question the present thoughts of existentialism, lucid dreams, freedom of being and the overall concept of reality and its connection with un-reality. Though a sincere attempt, I have to confess the movie does seem a bit of a drag at times. While I totally understand that proving a mathematical or logical theorem doesn't constitute the goal or process of the movie - and that it cannot be expected to belong to the closure of the movie, some focus has to exist. Randomness for 99 minutes becomes too random to handle, connect or observe attentively.

The whole exercise, if complimented with effective music/audio effects, could have been directed towards a bestseller audio book. Somehow, in all honesty, I cannot for god-sakes adapt to rotoscope.

Amen.



PS: Under any circumstances, if the 1000 grams of the said precious element is not delivered within hours of publishing this post, "somebody gonna get a hurt real bad".

Thursday, June 9, 2011

A Yogi danced

Breathing under water, soaking in the dust,
World at large, see and lust
Always on the fringes, smiles by my side

I saw,
Revolution he sang, revolution he saw
Sneered, jeered, his snide revered

White man on the moon,
Arab springs, India shine
Revolution finally televised?

American scripts, from art to life?

I saw,
A Yogi danced as Hussain died
Cheered, peered, lines and strokes revered
Indian myth, freedom decreed
R.I.P, the one exiled

I saw,
A Yogi danced, as bigotry survived
Revolution with equivocations,
glorified elocutions
For you televised, with pause and rewind.











Monday, October 4, 2010

Does anyone even come here anymore?

I doubt, is my answer to my own rhetorical question above.

But there is a certain amount of Proustian sentimentality attached with this blog, and that is why I think I will keep coming back at it. After being about a year and a half out of college, playing my part in the rat race in all its convoluted glory, being in my fourth job all in different capacities in the last two years - this is still the role I think I enjoy the most.

I intend to keep it this way, and will start with a peek at what I intend to follow up on in the days to come -




Sunday, February 22, 2009

Dilli6 - my 0.02 (By invitation)

Other than the fact that the length is just too long (uff!), the movie justifies the subject very well.

Here I present a few things I loved about the movie in the geeky nested-list format:

  1. The typical dilliwaalon ke jaagran! Its an absolute necessity when it comes to portray Delhi.
  2. The jiggling through narrow clubbed streets.
  3. Kaala Bandar! that's a total, total hit :D Hamare pass 100% proof hai
  4. Mandir and it's mythology - though I know of and have been to religious sites of other religions too, and no matter how non-secular I might sound, but I completely feel there is a lotof mythology associated with the purana Hindu temple. Every city has it's own share of purana mandirs, which seem to give the propelling force to the very many inhabitants.
  5. Public Servant - absolutely couldn't agree more with the portrayal of the attitude of the dilli ka thulla. They could have spiced things up with a traffic incident :D
  6. Rat Poison drama - yes, I completely support the Indian resolve to find someone to love and marry a person of one's choice rather than attaining the title of a Mr/Mrs. of your parents choice.
  7. BTW, the best part was the pseudo-illusionary depiction of the amalgamation of Chandni Chowk in Manhattan or vice-versa. I bet people who have spent considerable time in both cities would suffer similar mirage.
  8. Songs are okayish, Masakalli is one big exception. Now don't get me wrong there.
  9. Sonam did a good job, though I would have loved to see Anjali from K3G doing the said role. AB was mediocre - didn't pitch in his cheesy Rikki Thukral isshtyle nor the classy Inspector Jai from Dhoom2. Could have done much better.
  10. Shani baba sab theek kar dega!


Here're a few sorry points of the movie:
  1. As I said, the length is just too much, could have been condensed a little.
  2. Unnecessary character: Photographer. Totally useless on screen presence.
  3. Prem. Prem Chopra. Another disaster in the movie.
  4. The "jalebi, humko mard bana de"part. I don't find it so integral in delhi to such an extent. Conveys a cheap image which is not a part of the real panorama.
  5. Missed out on a Qawwali. Come on, a movie on old delhi demands one.

Let me know if you guys want more info :)

-A

Wednesday, February 11, 2009

DevD

Its a trip down the memory lane. Memories of that Tripping lane.

I knew I had to see the movie the very first time I saw the promo.

Soon, “Patna ke Presley” hit the charts and with it a simultaneous plan for the movie was also charted. While I did see the movie, the tryst (just like the umpteen others earlier) was not to be...

It is psychedelic cinema at its Indian best. I knew Anurag Kashyap was good, Black Friday was a proof enough. With Dev-D however he takes his work to another level. Kashyap seemed to have learnt a lot from his interactions with Danny Boyle, who gave the world (or at least my generation) the first voyeuristic insight into a life with drugs- with the cult classic Trainspotting. Some might know Danny for his recent success with Slumdog too.

Anurag Kashyap, DevD and Indian cinema have all benefited from this exchange of ideas.

Technical brilliance kept aside- credit goes to Kashyap also for the craftsmanship with which he has managed to etch out each character and seamlessly blended them. So be it Dev's confused prudishness, misplaced ego circling cowardice or trampish reclusiveness. Paro- in her unkempt hair with raw demeanors, an adventurous spirit, innocence almost bordering on foolishness. Chandramukhi/Lenni- with the devil may care attitude, adolescent effervescence, confused recklessness followed by the intensely sedated acceptance of a fortuitous life. Kudos to Anurag for carving each of these with perfection into a story freshly well spun around a theme tried time and again.

Nothing is ever more orderly than confusion amidst chaos and this movie makes a perfect case for same. The confused neurotics of all the characters blended with the chaotic riot of psychedelic colours , the wild camera angles- at its very best & albeit momentarily- manage to create a momentary stupor.

Speaking of music, they say there is something about Mary (Jane)  and all her siblings that does wonders to some people increasing their music quotient by order of few. I wonder if Amit Triwedi used the same magic wand, as used by many a known mortal Gods of music – from Mozart to Cobain. I wonder if we’d ever know- but truth be told, we are given a thoroughly enjoyable score throughout which keeps entirely in tune with the script and theme. He takes refuge in a variety of musical styles, from Rock to fusion to Pop and renders a gripping score.

Set between the rustic backdrop of Punjab and parts of Delhi-the movie covers a Devdas like love triangle without compromising on the originality factor. London educated Dev returns home only to lose his childhood flame, to none other than his confused prudishness which struggles to accept Paro's overt sexuality mistaking it for lasciviousness.

Humans are gifted with the ability to make choices worst for them and Dev epitomizes the same till the very end. Succumbing to his own ego, this refuses to give way to a courageous admittance. What follows next is a trip down the tripping lane – facilitated by generous amounts of vodka, coke and also copious amounts of paternal love manifested through cash and cars. Road down the lane of self destruction is not free from heart burns either- and so it turns out. Dev reflects all that can go wrong with a man- and yet we can’t help sympathizing with him. Perhaps we have devised a way of appreciating self-pity- just perhaps. The most derisive and scathing lines are written on Dev and females in vicinity surely loved it for they punctuated many a scenes with “that bastard” said under the breath.

Paro & Lenni the female protagonists are antipodes in our society. Both born at separate ends- with one from a uber rich and upmarket delhi and the former from the rustic fields of Punjab. And so is their journey in life- while Lenni lands up in the dark alleys of Delhi, Paro becomes the proverbial lady of the manor. Their lives intertwined by one common factor- Dev, (who.., well quite ordinarily so) loves both- though in different ways…

Watch the movie for the emotional turpitudes of Dev, the emotional fortitude of Lenni, and the emotional solitude of Paro. We’ve all had trysts that were not to be  and may be on your way back – you’d want to buy yourself a Smirnoff too (I did) just remember not to drink till you reach home safe… (To be continued.. once the hangover goes :)

Watch it as an ode to Trainspotting, an ode to those umpteen hormone fuelled heartbreaks/burns/aches and finally as a that one Trip down the memory lane. Memories of that Tripping lane.

Saturday, November 8, 2008

The idea of India...

Past two months were laid back..which reflects little deviation and keeps in line with the past twenty years of my life. However, some instances from the months past coupled with some literary adventures provided a quaint unsettling feeling.
In the background were few books- "Inspite of the Gods" & India After Gandhi by Edward Luce and Ramchandra Guha respectively, being the prominent ones. These two men seemingly apart yet brought together by the common thread of journalism in and about India.
Edward Luce's account of the strange rise of India, which aptly forms the subtitle of the book- traces and tracks the footprints of India's sudden emergence on the global conscience. Over the pages Luce takes you on a hithchiking trip through India over the ages- with disappointment and the anguish of the Emergency era to the hope and optimism of the India shining times. This book also, (yet again) brings you face to face with the disparity which so unashamedly marks todays India- something Aravind Adiga, made everyone to stand up and take note of (We need some good Gini, people). Luce is a correspondent with the Financial Times and this is reflected in his work. He has the journalistic eye and throughout the book, he makes one lament how we could have done so much better, financially and economically, over the years. The idea of India, what it could have been and what it ought to be,- the idea envisaged by BR Ambedkar & Nehru has been raped time and again in favour of power hungry politicians willing to cash in on the cheapest flavour of the season- from religion to region or skewed policies, success or failure of which, to be fair was anyones guess.

It was a nasty co-incidence that while I read about the idea of an India, an idea the writer felt disintegrated and degenerated with every passing day, at the hands of different people, the disintegration that manifest itself in the politically instigated sectoral violence in Maharashtra.

Ramchandra Guha-
I am not a prolific reader and I read at a pace dat may put a snail to shame. Hence it would have taken me eons to finish India after Gandhi- a work epical in proportions. Nevertheless I couldn’t resist the temptation to pick up the book- knowing completely well that I will not have the patience to sit through the sedulously written account on India- by the only anthropologist I would care to read. The theme was recurring. Hindu rate of growth, policies gone wrong, Nehru's tryst with destiny and a li'l more, the fabian socialism et all. And yet again, I couldnt help feeling the common pulse ~ there existed an idea somewhere in the hearts and minds of people an idea which is definitely not reflected in the times we live in.
As I traversed through these pages ~ and imagined the zeitgeist of a new born India, a newly independent India young and donned in the chic secularist, sovereign democratic constitution - the types world hadn’t seen earlier- I wondered how little sense it all makes now. This time around, it was a debate doing rounds in the journalistic circles and editorials, that made me wonder about the idea of “sovereignty.” The right to self-governance. How is it that a value enshrined in Constitution is so blatantly violated in one part of the country? Just how far should we go in the name of national integration? Is India not doing to Kashmir what the Brits did to India as a whole before independence? I am all for unity of Kashmir with India but I also feel for the plight of people of Kashmir. Somewhere we have to draw a line, because dying people are never a reflection of good governance. The capitalist in me cries aloud too- when everything else fails to resolve your socio-political-economic dilemmas, resort to the Gods of cost benefit analysis.
The idea of an integrated India needs some rethinking, it needs some social engineering that Mayawati or the like are utterly incapable of…